“I’ve learned quite a lot over the years by avoiding what I was supposed to be learning.”
— Margaret Atwood
Catalytic Converters
I can’t stop thinking about catalytic converters.
Don’t say it like “Cadillac” converters,
it’s “cat-a-ly-tic”. Catalytic converters –
they’re in all the cars, everywhere.
And thieves are everywhere, under all the cars.
At a dead hour the thieves slide under
and cut the cat-a-ly-tics
right out of the exhaust lines.
Right in and right out in 2-3 minutes
and then off to another one.
Off to another one!
It’s organized, apparently.
Organized crime for metal organs.
Metal organs that sell well all over the city.
And if you read Nextdoor.com, “The police don’t care!”
(I don’t have a car, so I shouldn’t care about them either.)
Thieves like pit stop mechanics
who ditched the pit
for a wilder ride with greed,
for a thrill you can sell,
a thrill you can hear
as each poor chump in the city
turns on their car the next morning
to a rumbling sound that roars with the gas pedal.
Rumbles, roars and coughs,
like a confused lion,
like a band marching into walls,
over and over again.
Over and over again,
with each loud sound,
with each rumble, roar and cough,
dollar signs rise into the air like music.
Music that only the thieves can hear.
You Feel Alive
In the wide mouth of the river
waves paw at our little boat.
Water laps and curls on our bodies
This is living, she says, and rows with an intensifying energy.
Water is life-giving, yes, but have you ever seen forearms like hers?
A blue-green roadmap of pulsing veins.
And because I want to sleep with her again, I say something
along the lines of agreement. And because I’m the poet in the boat
I say that her rowing reminds me of the acceleration of hope.
But really, in my mind, all these little ripples on the water unfold like consequences.
Our energy reminds me of the expanding influence of people on this place
how wild it is that we thrive so well that we destroy nature by our own nature.
Energy drives and drains us.
Anyway, we make our way down the river some more
and I walk back these cynical metaphors in my mind.
And I return to a place where metaphors aren’t yet named
Because language hasn't evolved beyond growls and grunts.
Because the Aspen along this river are now only the emergent thoughts
of the soil, where clay is just magma and magma the unformed crust.
And the two of us, her boat, the splashing and her beautiful veins
are all just the idea of a million gods and before that, only matter and force.
Like Water
All day the water has turned on and off in this apartment.
pulsing like arteries in the walls,
flushing, washing and
draining the limp linguini.
I splash my face with water and soap,
organize dishes into the machine,
close the dribbly tap.
My grief is something like this.
feverish in the angry teapot,
poured and still in the cup,
wet on my body, dripping on the floor.
I walk up the hill to visit my godson for bathtime.
he shows me how to splash, splash, splash!
with his arms extending out like rows,
face firmly directed at mine–
he points at the water in between his toes,
and he remembers to close both eyes
as I hold his forehead and pour.
Like some sort of deliverance.
I pour from a tiny blue plastic bucket,
slowly through his light toddler hair
washing down his little shoulders and back
and then, I embrace him like water,
into the wide towel of my arms.
Meeting Her Aunt
She told me that she didn’t need help,
“I only have one mandoline, anyway.”
So, I sat next to her at the counter and waited it out.
We got to know one another
as she pushed through the heads of cabbage.
Pressure down. Shavings drop.
Shift.
Down.
Shavings.
“Pets” entered the conversation.
She said that she hadn’t been a dog person,
but then a client gave her this dog. Now she loves this dog.
But maybe it’s only this dog?
Maybe she is a dog person, she’s not sure.
This is how I learned to make slaw.